| Ricardo D. Trimillos |
From the Editor |
1-3 |
| | Articles | |
|---|
| Virginia Danielson |
Listening to Arab Women's Voices: Society for Asian Music 2018 Keynote Address |
4-26 |
| André J. P. Elias |
Man Yar Pyae U Tin and the Burmese Slide Guitar: Constructing and Deconstructing Narratives of Cultural Exchange |
27-58 |
| Bradford J. Garvey |
The Doors of Melody: The Iraqi Maqām as a Tradition of Process |
59-93 |
| Roberto Rizzo |
Knowledge Transmission in Javanese Karawitan: Is It Time for an Ontological Turn? |
94-117 |
| | Reviews | |
|---|
| | Book Reviews | |
|---|
| M. Emin Soydaş |
Martin Greve, ed.Writing the History of "Ottoman Music." |
118-121 |
| Eliot Bates |
Burcu Yıldız. Experiencing Armenian Music in Turkey: An Ethnography of Musicultural Memory |
121-125 |
| Tanya Merchant |
Theodore Levin, Saida Daukeyeva, and Elmira Köchümkulova, eds. The Music of Central Asia |
125-127 |
| Terry Miller |
Victoria Vorreiter. Hmong Songs of Memory: Traditional Secular and Sacred Hmong Music; Essays, Images, and Film |
127-131 |
| | Book Reviews Essays | |
|---|
| Terry Miller |
John Pirozzi and LinDa Saphan. Don't Think I've Forgotten: Cambodia's Lost Rock and Roll |
132-141 |
| | Media Reviews | |
|---|
| Mary Talusan |
José S. Buenconsejo. Resilient Music at the Margins, Vols 1–3 |
142-147 |
| Linda Kakō Caplan |
Aldo Tollini and Mieko Miyazaki. Kyoku. Performed by Mieko Miyazaki & Suizan Lagrost |
147-150 |
| Julia Topper |
James Nyoraku Schlefer, shakuhachi; Yumi Kurosawa, koto. Spring Sounds Spring Seas |
150-152 |
| | Addendum | |
|---|
|
About the Contributors |
153-155 |
