| Ricardo D. Trimillos |
From the Editor |
1-2 |
| | Articles | |
|---|
| Samuel Horlor |
Neutralizing Temporary Inequities in Moral Status: Chinese Street Singers and the Gift Economy |
3-32 |
| Mayco A. Santaella |
"Doing Rano" among the Kaili of Central Sulawesi: A Choreomusicological Analysis of the Body as Cultural Locus of the Sound-Movement Continuum |
33-57 |
| Megan E. Hill |
Asakusa-Tsugaru-jamisen: Musical Place Making and Conceptual Blending in 21st Century Tokyo |
58-89 |
| Maho A. Ishiguro |
Gifts from the Waves? Cultural Identity, The Rise of Performing Arts Communities,and Women’s Performance Practice in Post-Tsunami Aceh |
90-121 |
| Supeena Insee Adler and Deborah Wong |
The Funeral of King Rama IX: Performing Mourning for the Thai State |
122-160 |
| | Reviews | |
|---|
| | Book Reviews | |
|---|
| Megan Hynson |
Brita Renée Heimarck. Gender Wayang Music of Bapak I Wayan Loceng from Sukawati, Bali: A Musical Biography, Musical Ethnography, and Critical Edition |
161-163 |
| Luo Ai Mei |
Jeroen de Kloet. China with a Cut: Globalisation, Urban Youth and Popular Music |
164-166 |
| | Media Reviews | |
|---|
| Joseph Toltz |
Or Haganuz: Gems of Ashkenazi Hazzanut and Yiddish Songs Revived |
167-170 |
| Leonardo D’Amico |
Alain Danielou. Into the Labyrinth |
170-175 |
| Aaron Judd |
Qin Music: Two Recordings
Qin: Himmelsk Musik för Qin och Xiao / Celestial Music for Qin and Xiao Guqin |
175-177 |
| | Addendum | |
|---|
|
About the Contributors |
178-180 |
