| Ricardo D. Trimillos |
From the Editor |
1-4 |
| | Articles | |
|---|
| Nattapol Wisuttipat |
No Notation Needed: The Construction and Politics of Transnational Thai Identity through the Oral Transmission of Classical Music |
5-38 |
| Brian E. Bond |
Teaching Islam in Song: Storytelling and Islamic Meaning in Sindhi Sufi Poetry Performance |
39-71 |
| Francesca Billeri |
Continuity and Changes in Cambodian Lkhaon Bassac (Lakhon Baasaq) Opera |
72-104 |
| JinXing (Gene) Lai |
From Folk Musicians to Popular Icons: The Resilient Uṟumi Mēḷam Tamil Folk Drumming Ensemble in Singapore |
105-138 |
| | Reviews | |
|---|
| | Book Reviews | |
|---|
| Gavin Douglas |
Suwichan Phattanaphraiwan. Forbidden Songs of the Pgaz K'Nyau |
139-141 |
| Ying Diao |
Levi S. Gibbs. Song King: Connecting People, Places, and Past in Contemporary China |
142-144 |
| Mayco A. Santaella |
Mohd Anis Md Nor and Kendra Stepputat, ed. Sounding the Dance, Moving the Music: Choreomusicological Perspectives on Maritime Southeast Asian Performing Arts |
145-148 |
| Marie-Pierre Lissoir |
Lonán Ó Briain. Musical Minorities: The Sounds of Hmong Ethnicity in Northern Vietnam |
149-151 |
| Victoria M. Dalzell |
Tanya Merchant. Women Musicians of Uzbekistan: From Courtyard to Conservatory |
151-154 |
| JinXing (Gene) Lai |
Juliette Yu-Ming Lizeray and Chee-Hoo Lum. Semionauts of Tradition: Music, Culture, and Identity in Contemporary Singapore |
154-158 |
| Subash Giri |
Anna Marie Stirr. Singing across Divides: Music and Intimate Politics in Nepal |
158-160 |
| Patricia Matusky |
Margaret Kartomi, ed. Performing the Arts of Indonesia: Malay Identity and Politics in the Music, Dance, and Theatre of the Riau Islands |
161-164 |
| | Media Reviews | |
|---|
| Justin R. Hunter |
Kokusai Bunka Shinkokai. Japanese Traditional Music: Songs of People at Work and Play |
165-167 |
| Colleen Christina Schmuckal |
Duo Yumeno. Flowers, Birds, Wind, Moon: Music by Marty Regan |
167-171 |
| | Addendum | |
|---|
|
About the Contributors |
172-175 |
