| | Articles | |
|---|
| Edward O. Henry |
The Pūrvī in Bhojpurī-Speaking India: Structure and Flux in a Disappearing Genre |
1-33 |
| I. Wayan Sinti and Annette Sanger |
Gamelan Manikasanti: One Ensemble, Many Musics |
34-57 |
| Benjamin D. Koen |
Musical Healing in Eastern Tajikistan: Transforming Stress and Depression through Falak Performance |
58-83 |
| Kendra Stepputat |
Nice 'n' Easy: The Balinese Gamelan Rindik: Its Music, Musicians, and Value as Tourist Art |
84-121 |
| David W. Music |
"The First Indian Tune That Ever Was Wrote out": An Early Example of "World Hymnody" from the Subcontinent |
122-140 |
| Ruby Ornstein |
Wayan Gandera Redux |
141-146 |
| | Reviews | |
|---|
| | Book Reviews | |
|---|
| Cynthia P. Wong |
Nimrod Baranovitch. China's New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997 |
147-150 |
| Paul D. Greene |
Kathryn S. March, David H. Holmberg. "If Each Comes Halfway": Meeting Tamang Women in Nepal |
150-153 |
| Rolf Groesbeck |
Laurent Aubert. Les Feux de la Deesse: Rituels villageois du Kerala (Inde du Sud) |
153-157 |
| | Audio Recording Reviews | |
|---|
| Zoe Sherinian |
Qambel Maran: Syriac Chants from South India |
158-161 |
| Joseph J. Palackal |
Laurent Aubert, Ravi Gopalan Nair. Kerala: (Inde de Sud/South India). Le chant des Pulluvan/Pulluvan Songs |
161-164 |
| Michael Frishkopf |
Anderson Bakewell. Music of Makran: Traditional Fusion from Coastal Balochistan |
164-171 |
| | Video Recording Reviews | |
|---|
| Matthew Allen |
T. N. Krishnan. South Indian Classical Music House Concert with M. D. Ramanathan; At Home with Master Musicians of Madras, Volume 1 |
172-175 |
| | Addendum | |
|---|
| Jonathan P. J. Stock |
Addendum: A Response to Kagan's Review of Huju: Traditional Opera in Modern Shanghai |
176-177 |
