| | Articles | |
|---|
| R. Anderson Sutton |
Tradition Serving Modernity? The Musical Lives of a Makassarese Drummer |
1-23 |
| Amporn Jirattikorn |
Lukthung: Authenticity and Modernity in Thai Country Music |
24-50 |
| Min-Jung Son |
Regulating and Negotiating in T'ûrot'û, a Korean Popular Song Style |
51-74 |
| Henry Johnson |
Tsugaru Shamisen: From Region to Nation (and beyond) and Back Again |
75-100 |
| Sean Williams |
Irish Music and the Experience of Nostalgia in Japan |
101-119 |
| | Reviews | |
|---|
| | Book Reviews | |
|---|
| Alan L. Kagan |
Jonathan P. J. Stock. Huju: Traditional Opera in Modern Shanghai |
120-127 |
| Philip Flavin |
Henry Johnson. The Koto: A Traditional Instrument in Contemporary Japan |
127-134 |
| Gordon Thompson |
Satyendra K. Sen Chib. Companion to North Indian Classical Music |
134-136 |
| Yayoi Uno Everett |
Luciana Galliano, Martin Mayes. Yôgaku: Japanese Music in the Twentieth Century |
136-142 |
| | Audio Recording Reviews | |
|---|
| Jennifer Milioto Matsue |
Christopher Yohmei Blasdel. Visionary Tones: Traditional and Contemporary Kinko Style Shakuhachi Music |
143-148 |
| Jay Keister |
Otto Abraham, Erich M. von Hornbostel, Erich Fischer, Erwin Walter, Heinrich Werkmeister, Ingrid Fritsch. Walzenaufnahmen Japanischer Musik/Wax Cylinder Recordings of Japanese Music 1901-1913 |
149-153 |
| John Morgan O'Connell |
Linda Burman-Hall, İhsan Özgen, Lux Musica. Cantemir: Music in Istanbul and Ottoman Europe around 1700 |
153-157 |
| | Video Recording Review | |
|---|
| Lisa Urkevich |
Mei-Juin Chen, Lisa Muskat, Shi Jian. The Worlds of Mei Lanfang |
158-160 |
