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Asian Music
Journal of the Society for Asian Music
| Articles | |
Katherine Butler Brown |
The Ṭhāṭ System of Seventeenth-Century North Indian Rāgas: A Preliminary Report on the Treatises of Kāmilk̲h̲ānī |
1-13 |
Catherine Falk |
The Dragon Taught Us: Hmong Stories about the Origin of the Free Reed Pipes Qeej |
17-56 |
Jason Gibbs |
The West's Songs, Our Songs: The Introduction and Adaptation of Western Popular Song in Vietnam before 1940 |
57-83 |
Azin Movahed |
Religious Supremacy, Anti-Imperialist Nationhood and Persian Musicology after the 1979 Revolution |
85-113 |
John Napier |
An Old Tradition but a Very New Practice: Accompaniment and the Saturation Aesthetic in Indian Music |
115-134 |
| Reviews | |
| Book Reviews | |
Peter K. Marsh |
Carole Pegg. Mongolian Music, Dance, and Oral Narrative: Performing Diverse Identities |
135-137 |
Lee Tong Soon |
Adelaida Reyes. Songs of the Caged, Songs of the Free: Music and the Vietnamese Refugee Experience |
137-140 |
Andrew Shahriari |
Deborah Wong. Sounding the Center: History and Aesthetics in Thai Buddhist Performance |
140-142 |
J. Lawrence Witzleben |
Andrew F. Jones. Chinese Jazz Age |
142-150 |
| Audio Recording Reviews | |
Michael Frishkopf |
Anderson Bakewell. The Yemen Tihama: Trance & Dance Music from the Red Sea Coast of Arabia |
150-155 |
Joseph S. C. Lam |
Zhang Xingrong, Helen Rees, Jack Body. South of the Clouds: Instrumental Music of Yunnan |
155-159 |
Jennifer M. Matsue |
Hiromitsu Agatsuma, Tetsuro Kadoya, Kazumi Harasawa, Seiichi Kyoda, Masahi Kudo, Kenji Igarashi, Tohru Kotetsu, Eiichi Naito, Seizo Shimokobe, Hitoshi Namekata. Hiromitsu Agatsuma's Beams |
160-163 |
| Video Recording Review | |
Sean Williams |
Martin Clayton, Simon Cook. Wayang Golek: Performing Arts of Sunda (West Java) |
163-165 |
| Letters to the Editor | |
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David Harnish |
166 |
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