| | Articles | |
|---|
| Paul D. Greene and Li Wei |
Introduction: Mindfulness and Change in Buddhist Musical Traditions |
1-6 |
| Richard Widdess |
Caryā and Cacā: Change and Continuity in Newar Buddhist Ritual Song |
7-41 |
| Paul D. Greene |
The Dhamma as Sonic Praxis: Paritta Chant in Burmese Theravāda Buddhism |
43-78 |
| Pi-yen Chen |
The Chant of the Pure and the Music of the Popular: Conceptual Transformations in Contemporary Chinese Buddhist Chants |
79-97 |
| Jay Keister |
The Shakuhachi as Spiritual Tool: A Japanese Buddhist Instrument in the West |
99-131 |
| Paul D. Greene, Keith Howard, Terry E. Miller, Steven G. Nelson, Phong T. Nguyen and Hwee-San Tan |
Buddhism and the Musical Cultures of Asia: An Annotated Discography |
133-174 |
| | Reviews | |
|---|
| | Book Reviews | |
|---|
| Hilary V. Finchum-Sung |
Nathan Hesselink. Contemporary Directions: Korean Folk Music in the Twentieth Century and Beyond |
175-177 |
| Julia Byl |
Margaret Sarkissian. "D'Albuquerque's Children": Performing Tradition in Malaysia's Portuguese Settlement |
177-179 |
| | Audio Recording Reviews | |
|---|
| Brita Heimarck |
Uma Mehta. Hariprasad Chaurasia (Flute) and Shib Sankar Ray (Tabla) Perform Four Dhuns |
180-184 |
| | Addendum | |
|---|
|
Correction to Asian Music 35/1: Chinese Jazz Age |
185 |
