| Articles | |
Rahayu Supanggah |
Campur Sari: A Reflection |
1-20 |
Sarah Weiss |
"Kothong Nanging Kebak", Empty Yet Full: Some Thoughts on Embodiment and Aesthetics in Javanese Performance |
21-49 |
Suryadi |
Minangkabau Commercial Cassettes and the Cultural Impact of the Recording Industry in West Sumatra |
51-89 |
David Harnish |
Worlds of Wayang Sasak: Music, Performance, and Negotiations of Religion and Modernity |
91-120 |
| Reviews | |
| Book Reviews | |
Jason Gibbs |
Adelaida Reyes. Songs of the Caged, Songs of the Free: Musics and the Vietnamese Refugee Experience |
121-125 |
Richard Miller |
E. Taylor Atkins. Blue Nippon: Authenticating Jazz in Japan |
126-130 |
Peter Kvetko |
Sunaina Marr Maira. Desis in the House: Indian American Youth Culture in New York City |
130-133 |
Richard K. Wolf |
Martin Clayton. Time in Indian Music: Rhythm, Metre, and Form in North Indian Rārag Performance |
133-139 |
| Audio Recording Reviews | |
Inna F. Naroditskaya |
Franz Hampe. Before the Revolution |
140-146 |
David Henderson |
Gert-Matthias Wegner. Music of the Sherpa People of Nepal I: Shebru Dance-Songs from the Everest Region; Gert-Matthias Wegner. Masterdrummers of Nepal Present Auspicious Drumming Traditions of Bhaktapur |
147-150 |
Henry Spiller |
Andrew N. Weintraub. Indonesia: Wayang Golek: The Sound and Celebration of Sundanese Puppet Theater |
150-154 |
| Video Recording Review | |
Sean Williams |
Martin Clayton, Simon Cook. Wayang Golek: Performing Arts of Sunda (West Java) |
154-156 |
Alexander Khalil |
Li Wei, Zhang Xingrong, Yunnan Art Institute. From China's Southwest Borders: Minority Dances, Songs and Instrumental Music of Yunnan |
157-158 |