| Articles | |
Ernst Emsheimer and Robert Carroll |
Earliest Reports about the Music of the Mongols |
1-19 |
Richard Tapper |
Peasant's Pilgrimage: A Ballad from Afghan Turkistan |
20-34 |
Louise Wrazen |
The Early History of the Vīṇā and Bīn in South and Southeast Asia |
35-55 |
Phong Th. Nguyen |
Restructuring the Fixed Pitches of the Vietnamese dan Nguyet Lute: A Modification Necessitated by the Modal System |
56-70 |
Paul Arthur Wolbers |
Gandrung and Angklung from Banyuwangi; Remnants of a Past Shared with Bali |
71-90 |
Peter Manuel and Randall Baier |
Jaipongan: Indigenous Popular Music of West Java |
91-110 |
James D. Chopyak |
Music in Modern Malaysia: A Survey of the Musics Affecting the Development of Malaysian Popular Music |
111-138 |
Charles Capwell |
Musical Life in Nineteenth-Century Calcutta as a Component in the History of a Secondary Urban Center |
139-163 |
Philip V. Bohlman |
R. G. Kiesewetter's "Die Musik der Araber": A Pioneering Ethnomusicological Study of Arabic Writings on Music |
164-196 |
| Book Reviews | |
Phong Nguyen |
Van Khe. Tran, Gisela Kiehl. Einführung in die Musik Vietnams (Introduction to Vietnamese Music) |
197-200 |
Gregory D. Booth |
Michael E. Kinnear. A Discography of Hindustani and Karnatic Music |
201-202 |
David Fish |
Elizabeth J. Markham. Saibara: Japanese Court Songs of the Heian Period |
203-205 |
Margaret J. Kartomi |
Terry E. Miller. Traditional Music of the Lao Kaen Playing and Mawlum Singing in Northeast Thailand |
206-207 |
Peter Manuel |
Wim. van der Meer. Hindustani Music in the 20th Century |
208-211 |
| Record Review | |
Donald Berger |
Riley Kelly Lee, Ralph Samuelson. Japanese Music for Two Shakuhachi |
212-213 |