| | Articles | |
|---|
| Philip Bohlman and Mark Slobin |
Music in the Ethnic Communities of Israel: Introduction |
1-8 |
| Esther Warkov |
Revitalization of Iraqi-Jewish Instrumental Traditions in Israel: The Persistent Centrality of an Outsider Tradition |
9-31 |
| Edwin Seroussi |
Politics, Ethnic Identity, and Music in Israel: The Case of the Moroccan Bakkashot |
32-45 |
| Jehoash Hirshberg |
Musical Tradition as a Cohesive Force in a Community in Transition: The Case of the Karaites |
46-68 |
| Bruno Nettl and Amnon Shiloah |
Persian Classical Music in Israel: A Preliminary Report |
69-87 |
| Rina Krut Moskovich |
The Role of Music in the Liturgy of Emigrant Jews from Bombay: The Morning Prayer for the Three Festivals |
88-107 |
| Gila Flam |
Beracha Zefira - A Case Study of Acculturation in Israeli Song |
108-125 |
| Uri Sharvit |
Diversity within Unity: Stylistic Change and Ethnic Continuity in Israeli Religious Music |
126-146 |
| Philip V. Bohlman |
The Immigrant Composer in Palestine, 1933-1948: Stranger in a Strange Land |
147-167 |
| Tova Benski, Joachim Braun and Uri Sharvit |
Towards a Study of Israeli Urban Musical Culture: The Case of Kiryat Ono |
168-209 |
