| Fritz A. Kuttner and Fredric Lieberman |
Preface |
|
| | Articles | |
|---|
| Dieter Christensen |
Musical Style and Social Context in Kurdish Songs |
1-6 |
| Chuang Pen-li |
Traditional Chinese Music for Birthday Celebrations |
7-12 |
| Kenzo Hayashi |
Restoration of a Panpipe in the Shosoin |
15-27 |
| Felix Hoerburger |
Langhalslauten in Afghanistan |
28-37 |
| N.A. Jairazbhoy |
An Interpretation of the 22 Srutis |
38-59 |
| Goro Kakinoki |
A Comparative Method on Japanese Melodic Styles in Structural Formulae |
60-87 |
| Fritz A. Kuttner |
The 749-Temperament of Huai Nan Tzu (+ 123 B. C.) |
88-112 |
| Frederic Lieberman |
Texted Tunes in the Mei-an Ch'in-P'u |
113-146 |
| William P. Malm |
Chinese Music in Nineteenth Century Japan |
147-172 |
| Liang Ming-Yueh |
A Study of Tiao-i, "The Meaning of the Mode" |
173-188 |
| Kurt Reinhard |
Bemerkungen zu den Asik, den Volkssängern der Türkei |
189-206 |
| A. C. Scott |
Reflections on the Aesthetic Background of the Performing Arts of East Asia |
207-216 |
| Mark Slobin |
Buz-bazi: A Musical Marionette of Northern Afghanistan |
217-224 |
| Barbara B. Smith |
Chinese Music in Hawaii |
225-230 |
