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Asian Music
Journal of the Society for Asian Music
| Ricardo D. Trimillos |
From the Editor |
1-3 |
| | Articles | |
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| Daniel M. Neuman |
Remembering My Teachers—Bruno Nettl and Sabri Khan: Society for Asian Music 2022 Keynote Address |
4-27 |
| Dave Fossum |
Neşet Ertaş and the Ontologies of Turkey’s Folk Music |
28-59 |
| Joe Kinzer |
The Exceptional Fauziah Gambus: Negotiating Novelty, Piety, and Self-Promotion in an Androcentric Malaysian Musical Scene |
60-91 |
| Paulo Brito |
Staging Noh Performance in Contemporary Opera: The Dance of the Shite in Toshio Hosokawa’s The Maiden from the Sea (2017) |
92-119 |
| Vincenzo Della Ratta |
On the Threshold between Different Worlds: The Symbolic Role of Gongs in the Final Mortuary Ritual of the Jarai (Central Highlands of Vietnam) |
120-144 |
| | Reviews | |
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| | Book Reviews | |
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| Meghan Hynson |
Sonja Lynn Downing. Gamelan Girls: Gender, Childhood, and Politics in Balinese Music Ensembles |
145-148 |
| Nate Renner |
Andrew B. Armstrong. 24 Bars to Kill: Hip Hop, Aspiration, and Japan’s Social Margins |
148-151 |
| Rachel Colwell |
Richard C. Jankowsky. Ambient Sufism: Ritual Niches and the Social Work of Musical Form |
151-154 |
| | Media Reviews | |
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| LeRon James Harrison |
Ono Ensemble (Ono Gagakukai). Japon: Le Gagaku/Japan: Gagaku |
155-158 |
| | Addendum | |
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About the Contributors |
159-161 |
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