| Ricardo D. Trimillos |
From the Editor |
1-3 |
| | Articles | |
|---|
| Matt Gillan |
Listening to the Voice in Kumiudui: Representations of Social Class and Gender through Speech, Song, and Prosody |
4-33 |
| Oki Rahadianto Sutopo and Pam Nilan |
The Constrained Position of Young Musicians in the Yogyakarta Jazz Community |
34-57 |
| Bruno Deschenes and Yuko Eguchi |
Embodied Orality: Transmission in Traditional Japanese Music |
58-79 |
| Beau Bothwell |
State, Song, and Shabab in Syria's Prewar Radioscape |
80-119 |
| | Reviews | |
|---|
| | Book Reviews | |
|---|
| Bruno Deschênes |
Frederic Leotar. La steppe musicienne: Analyses et modelisation du patrimoine musical turcique [The Musical Steppes: Analysis and Modeling of the Turkic Musical Patriomony] |
120-123 |
| Randy Raine-Reusch |
Byong Won Lee and Yong-Shick Lee (eds.). Music of Korea. (Korean Musicology Series 1) |
123-125 |
| Wayne Vitale |
Andrew Clay McGraw. Radical Traditions: Reimagining Culture in Balinese Contemporary Music |
125-129 |
| Larry Oliver Catungal |
Two Studies of Music in the Filipino-American Diaspora
Theodore S. Gonzalves. The Day the Dancers Stayed: Performing in the Filipino/American Diaspora; Antonio T. Tiongson, Jr. Filipinos Represent: DJs, Racial Authenticity, and the Hip-Hop Nation |
130-136 |
| | Audio Recording Reviews | |
|---|
| Ellen Koskoff |
Ruby Ornstein. From Kuno to Kebyar: Balinese Gamelan Angklung |
137-140 |
| D. A. Sonneborn |
Hamid Bin Sussein Sea Band. Kuwait: Sea Songs from the Arabian Gulf |
140-144 |
| Anthony Shay |
Federico Spinatti. Zurkhaneh: The House of Strength: Music and Martial Arts of Iran |
144-146 |
| | Addendum | |
|---|
|
About the Contributors |
147-149 |
