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Asian Music
Journal of the Society for Asian Music
| Ricardo D. Trimillos |
From the Editor |
1-2 |
| | Articles | |
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| Francesca R. Sborgi Lawson |
Music in Ritual and Ritual in Music: A Virtual Viewer's Perceptions about Liminality, Functionality, and Mediatization in the Opening Ceremony of the 2008 Beijing Olympic Games |
3-18 |
| Hsin-chun Tasaw Lu |
Performativity of Difference: Mapping Public Soundscapes and Performing Nostalgia among Burmese Chinese in Central Rangoon |
19-55 |
| Maria Mendonça |
Gamelan Performance Outside Indonesia "Setting Sail": Babar Layar and Notions of "Bi-musicality" |
56-87 |
| Kwok-Wai Ng |
In Search of the Historical Development of Double-Reed Pipe Melodies in Japanese Tōgaku: Early Hypotheses and New Perspectives |
88-111 |
| Joseph S. C. Lam |
Music and Masculinities in Late Ming China |
112-134 |
| | Reviews | |
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| | Book Reviews | |
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| Benjamin Brinner |
Sarah Weiss. Listening to an Earlier Java: Aesthetics, Gender, and the Music of Wayang in Central Java |
135-139 |
| | Audio Recording Reviews | |
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| Nathan Light |
Pierre Bois, Frank Kane, Mukaddas Mijit. Turkestan chinois. Le Muqam des Dolan. Musique des Ouïgours du désert de Taklamakan. (Chinese Turkestan. The Muqam of the Dolan. Music of the Uyghurs of Taklamakan Desert) |
140-143 |
| J. Lawrence Witzleben |
Sou Si-tai, Georges Goormaghtigh. Chine: "Le pêcheur et le bûcheron": Le qin, cithare des lettrés (China: "The Fisherman and the Woodcutter": The Qin, Zither of the Literati) |
144-146 |
| Mark Kligman |
Edwin Seroussi. A Song of Dawn: The Jerusalem Sephardi Baqqashot at the Har Tzyion Synagogue. Anthology of Music Traditions in Israel, Vol. 20 |
146-149 |
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