Ricardo D. Trimillos |
From the Editor |
1-2 |
| Articles | |
Stephen Blum |
A Society and Its Journal: Stories of Hybridity |
3-23 |
Stefan Fiol |
From Folk to Popular and Back: Musical Feedback between Studio Recordings and Festival Dance-Songs in Uttarakhand, North India |
24-53 |
Lee-Suan Chong |
Tibetan Buddhist Vocal Music: Analysis of the Phet in Chod Dbyangs |
54-84 |
Tse-Hsiung Lin |
Mountain Songs, Hakka Songs, Protest Songs: A Case Study of Two Hakka Singers from Taiwan |
85-122 |
| Reviews | |
| Book Reviews | |
J. Lawrence Witzleben |
Mari Yoshihara. Musicians from a Different Shore: Asians and Asian Americans in Classical Music |
123-126 |
Kristina Nelson |
Scott L. Marcus. Music in Egypt: Experiencing Music, Expressing Culture |
126-129 |
Alexander M. Cannon |
Barley Norton. Songs for the Spirits: Music and Mediums in Modern Vietnam |
129-133 |
Lonán Ó Briain |
Dale A. Olsen. Popular Music of Vietnam: The Politics of Remembering, the Economics of Forgetting |
134-137 |
Jesse A. Johnston |
Benjamin Brinner. Music in Central Java: Experiencing Music, Expressing Culture |
137-140 |
| Audio Recording Reviews | |
Lynda Paul |
William Maranda. Raja Edepus; William Maranda. Making of "Raja Edepus" |
141-145 |
Bruno Deschênes |
Frédéric Léotar. La Voix des Ancêtres / The Voice of Ancestors—Karakalpakistan. Music of the World series |
145-148 |
Christopher J. Miller |
John Noise Manis. Gamelan of Central Java VIII: Court Music Treasures; John Noise Manis, Rosella Balossino, Ilario Meandri. Gamelan of Central Java IX: Songs of Wisdom and Love |
148-155 |