| | Articles | |
|---|
| Jonathan P. J. Stock |
Learning Huju in Shanghai, 1900-1950: Apprenticeship and the Acquisition of Expertise in a Chinese Local Opera Tradition |
1-42 |
| Andrew Killick |
Korean Ch'anggŭk Opera: Its Origins and Its Origin Myth |
43-82 |
| Daniele Sestili |
A Pioneer Work on Japanese Music: La Musique au Japon (1878) and Its Author, Alessandro Kraus the Younger |
83-110 |
| James Kippen |
Wajid Revisited: A Reassessment of Robert Gottlieb's Tabla Study, and a New Transcription of the Solo of Wajid Hussain Khan of Lucknow |
111-166 |
| Robert Gottlieb |
A Response to James Kippen's Assessment |
167-172 |
| James Kippen |
A Rebuttal to Robert Gottlieb |
173-174 |
| Boaz Tarsi |
Observations on Practices of Nusach in America |
175-219 |
| | Reviews | |
|---|
| | Book Reviews | |
|---|
| Susan Asai |
Alison McQueen Tokita. Kiyomoto-Bushi: Narrative Music of the Kabuki Theatre |
221-224 |
| Bruno Deschênes |
Sabine Trebinjac. Le Pouvoir en Chantant, Tome I: L'art de Fabriquer une Musique Chinoise |
224-227 |
| Kathryn Hansen |
Syed Jamil Ahmed. Acinpakhi Infinity: Indigenous Theater of Bangladesh |
227-229 |
| Ping-Hui Li |
Colin MacKerras. Peking Opera |
229-230 |
| | Audio Recording Reviews | |
|---|
| Matthew Allen |
Madurai N. Krishnan and Errol Maibach. Inde du Sud / South India: Mârgam. L'intégrale du Bharatanâtyam / The Complete Bharatanâtyam |
230-234 |
| David Harnish |
Allan Evans. The Roots of Gamelan: The First Recordings (Bali 1928, New York 1941) |
234-238 |
| Made Mantle Hood |
Philip Yampolsky. Music of Indonesia, Vol. 19; Music of Indonesia, Vol. 20 |
238-241 |
| Gordon Thompson |
Edward O. Henry. Women's Songs from India |
241-243 |
| | Video Recording Review | |
|---|
| Amy Catlin-Jairazbhoy |
Peter Manuel. Tān-Singing of Trinidad and Guyana: Indo-Caribbean "Local-Classical Music" |
243-246 |
