| | Articles | |
|---|
| Amelia MacIszewski |
Multiple Voices, Multiple Selves: Song Style and North Indian Women's Identity |
1-40 |
| Roger Vetter |
More than Meets the Eye and Ear: Gamelans and Their Meaning in a Central Javanese Palace |
41-92 |
| Peter Chang |
Chou Wen-Chung's Cross-Cultural Experience and His Musical Synthesis: The Concept of Syncretism Revisited |
93-118 |
| Larry V. Shumway |
Gagaku in the Provinces: Imperial Court Music at the Ikeda Fief at Bizen |
119-141 |
| José MacEda |
The Structure of Principal Court Musics of East and Southeast Asia |
143-178 |
| | Reviews | |
|---|
| | Book Reviews | |
|---|
| David Henderson |
Hans Weisethaunet. The Performance of Everyday Life: The Gaine of Nepal |
179-182 |
| Gordon Thompson |
Bruno Nettl and Melinda Russell. In the Course of Performance: Studies in the World of Musical Improvisation |
182-186 |
| Steven Curtis |
Joep Bor. The Raga Guide: A Survey of 74 Hindustani Ragas |
187-190 |
| | Audio Recording Reviews | |
|---|
| Made Mantle Hood |
Philip Yampolsky. Music of Indonesia, Vol. 15; Music of Indonesia, Vol. 16; Music of Indonesia, Vol. 18 |
190-193 |
| Brita Heimarck |
Philip Yampolsky. Music of Indonesia, Vol. 13; Music of Indonesia, Vol. 14; Music of Indonesia, Vol. 15 |
193-198 |
| Edward Henry |
Alan Lomax. East Indian Music in the West Indies |
198-200 |
| Christopher Adler |
Alain Danièlou. Anthology of World Music: The Music of Laos |
200-203 |
