| Articles | |
R. Anderson Sutton |
From Ritual Enactment to Stage Entertainment: Andi Nurhani Sapada and the Aestheticization of South Sulawesi's Music and Dance 1940s-1970s |
1-30 |
Ben Wu |
Music Scholarship, West and East: Tibetan Music as a Case Study |
31-56 |
Amatzia Bar-Yosef |
Traditional Rural Style under a Process of Change: The Singing Style of the Ḩaddāy, Palestinian Folk Poet-Singers |
57-82 |
Vernon Charter and Jean DeBernardi |
Towards a Chinese Christian Hymnody: Processes of Musical and Cultural Synthesis |
83-113 |
Ewald Henseler and Mayumi Adachi |
Nineteenth-Century Japanese Hymnals: A Preliminary Study |
115-127 |
| Reviews | |
| Book Reviews | |
Joep Bor |
Gerry Farrell. Indian Music and the West |
129-138 |
Craig MacRae |
Theodore Levin. The Hundred Thousand Fools of God: Musical Travels in Central Asia (And Queens, New York) |
138-142 |
Jonathan Stock |
Antoinet Schimmelpenninck. Chinese Folk Songs and Folk Singers: Shan'ge Traditions in Southern Jiangsu |
142-143 |
Jonathan Stock |
Bell Yung. Celestial Airs of Antiquity: Music of the Seven-String Zither of China |
143-145 |
| Audio Recording Reviews | |
Michael B. Bakan |
Philip Yampolsky. Music of Biak, Irian Jaya,
Melayu Music of Sumatra and the Riau Islands,
Gongs and Vocal Music from Sumatra |
146-149 |
Hiromi Lorraine Sakata |
The Sabri Brothers. Ya Mustapha |
149-151 |
Daniel Atesh Sonneborn |
Marcel Khalife, Talal Haidar, Mohammed El-Abdellah, Joseph Harb, Khalil Hawi, Mahmoud Darwish, Abido Basha. Arabic Coffeepot;
Marcel Khalife. Dance; Yosefa Dahari. The Desert Speaks |
152-155 |