| Martin Hatch |
From the Editor |
|
| | Articles | |
|---|
| Gordon Thompson |
The Bāroţs of Gujarati-Speaking Western India: Musicianship and Caste Identity |
1-17 |
| William Jackson |
Features of the Kṛiti: A Song Form Developed by Tyāgarāja |
19-66 |
| Robert Simms |
Aspects of Cosmological Symbolism in Hindusthani Musical Forms |
67-89 |
| | Symposium: Popular Music and Media Culture in South Asia | |
|---|
| Peter Manuel |
Popular Music and Media Culture in South Asia: Prefatory Considerations |
91-100 |
| Scott Marcus |
Recycling Indian Film-Songs: Popular Music as a Source of Melodies for North Indian Folk Musicians |
101-110 |
| Regula Qureshi |
"Muslim Devotional": Popular Religious Music and Muslim Identity under British, Indian and Pakistani Hegemony |
111-121 |
| Alison E. Arnold |
Aspects of Production and Consumption in the Popular Hindi Film Song Industry |
122-136 |
| | Reviews | |
|---|
| | Book Reviews | |
|---|
| Margaret Sarkissian |
Marina Roseman. Healing Sounds from the Malaysian Rainforest: Temiar Music and Medicine |
137-140 |
| Beverley Diamond |
Margaret J. Kartomi. On Concepts and Classifications of Musical Instruments |
141-145 |
| René T. A. Lysloff |
Mallay Kant-Achilles, Friedrich Seltmann, Rūdiger Schumacher. Wayang Beber |
146-151 |
| Alison Arnold |
The Record News: The Journal of the Society of Indian Record Collectors. Vol. 1, January 1991 |
152-154 |
| Donald Berger |
The International Shakuhachi Society. The Annals of the International Shakuhachi Society, Vol. 1 |
155-156 |
| | Recording Reviews | |
|---|
| Roderic Knight |
Laxmi G. Tewari. Folk Music of Uttar Pradesh |
157-158 |
| Lu Guang |
Jack Body, Nicholas Wheeler. Aspects of Chinese Music -- The Art of Negotiation: Teahouse Courtship Dialogues (quing-ge) from Guiyang & Transcriptions of Vocal Polyphony of the Dong, Buyi, Zhuang, Yi, Mulao, Yao and She Minority Nationalities of China |
159-161 |
| Daniel Mantey |
Wolfgang Laade. The Confucius Temple Ceremony |
162-165 |
