| | Articles | |
|---|
| Carol Rubenstein |
The Cultural Show: Is It Culture or What and for Whom? |
1-62 |
| Anne Rasmussen |
"An Evening in the Orient": The Middle Eastern Nightclub in America |
63-88 |
| Brian Pertl |
Some Observations on the "Dung Chen" of the Nechung Monastery |
89-96 |
| Carol Tingey |
Sacred Kettledrums in the Temples of Central Nepal |
97-103 |
| Wei-hua Zhang |
Music in Ming Daily Life, as Portrayed in the Narrative "Jin Ping Mei" |
105-134 |
| Jean During |
l'Oreille Islamique Dix Années Capitales de la Vie Musicale en Iran: 1980-1990 |
135-164 |
| | Reviews | |
|---|
| | Book Reviews | |
|---|
| Han Kuo-Huang |
Neil Sorrell. A Guide to the Gamelan |
165-168 |
| Margaret Caton |
Hormoz Farhat. The Dastgāh Concept in Persian Music |
168-171 |
| Margaret Caton |
Jean During, Zia Mirabdolbaghi, Dariush Safvat. The Art of Persian Music |
172-176 |
| Chia Chun Chu |
Tsao Pen-yeh. The Music of Su-chou Tan-tz'u |
176-178 |
| Susan Asai |
C. Andrew Gerstle, Kyoshi Inobe, William P. Malm. Theater as Music. The Bunraku Play "Mt. Imo and Mt. Se: An Exemplary Tale of Womanly Virtue" |
179-180 |
| | Record Reviews | |
|---|
| Jim Kippen |
Georges Luneau, Bhaskar Bhattacharyya. Bengal: chants des "fous";
Pribislav Pitoëff. Inde du sud: musiques rituelles et théâtre du Kerala |
181-184 |
| Robert C. Provine |
Kim Chukp'a (kayagûm), Kim Tongjun (changgo). Kim Chukp'a kayagûm sanjo (Sanjo for Kayagûm Performed by Kim Chukp'a);
Sông Kûmyôn (kayagûm), Kim Myônghwan (changgo). Sông Kûmyôn kayagûm sanjo (Sanjo for Kayagûm Performed by Sông Kûmyôn) |
185-188 |
