| | Articles | |
|---|
| Carol Rubenstein |
"So Unable to Speak Am I....": Sarawak Dayaks and Forms of Social Address in Song |
1-37 |
| Hai-Hsing Yao |
The Relationship between Percussive Music and the Movement of Actors in Peking Opera |
39-70 |
| Gordon N. Swift |
South Indian "Gamaka" and the Violin |
71-89 |
| Sƚawomira Żerańska-Kominek |
The Classification of Repertoire in Turkmen Traditional Music |
90-109 |
| Marie Connett |
Subject Index for Volumes I-XXI of Asian Music |
110-134 |
| Jose Maceda |
Review Essay: Bipolarity, Ki Mantle Hood's Trilogy, Four Counts, and the Fifth Interval. Review of Ki Mantle Hood: The Evolution of Javanese Gamelan, Book III. Paragon of the Roaring Sea |
135-146 |
| | Reviews | |
|---|
| Rulan Chao Pian |
Mingyueh Liang. Music of the Billion: An Introduction to Chinese Musical Culture |
147-150 |
| L. JaFran Jones |
Regula Qureshi. Sufi Music of India and Pakistan.: Sound, Context and Meaning in Qawwali |
151-155 |
| James D. DiSpirito |
James Kippen. The Tabla of Lucknow: A Cultural Analysis of a Musical Tradition |
156-158 |
| Barbara B. Smith |
Stanley Sadie. The New Grove Dictionary of Musical Instruments |
159-162 |
| Karl Signell |
Jean During, Elday Mansurov, Bahrâm Mansurov, Elkân Mansurov, Habib Bayramov, Hâbil Aliev, Zabiollâh Kuliev, Elmân Badalov, Alim Kâsimov, Hugo Zemp. Azerbaijan: Traditional Music |
163-166 |
| Endo Suanda |
Philip Yampolsky. Tonggeret: Jaipong Sunda; Idjah Hadidjah |
166-170 |
