| | Articles | |
|---|
| Alan R. Thrasher |
Hakka-Chaozhou Instrumental Repertoire: An Analytic Perspective on Traditional Creativity |
1-30 |
| Nora Yeh |
Nanguan Music Repertoire: Categories, Notation, and Performance Practice |
31-70 |
| Riley Kelly Lee |
Fu Ho U vs. Do Re Mi: The Technology of Notation Systems and Implications of Change in the Shakuhachi Tradition of Japan |
71-81 |
| Pamela Myers-Moro |
Names and Civil Service Titles of Siamese Musicians |
82-92 |
| Gloria R. Poedjosoedarmo |
A Phonetic Description of Voice Quality in Javanese Traditional Female Vocalists |
93-126 |
| Han Kuo-huang |
J. A. Van Aalst and His Chinese Music |
127-130 |
| Editors of Asian Music |
Index of Volumes I-XIX of Asian Music |
131-160 |
| | Book Reviews | |
|---|
| Roger Vetter |
Philip Yampolsky. Lokananta: A Discography of the National Recording Company of Indonesia |
161-164 |
| Terry E. Miller, Judith Frigyesi, Gregory Booth and George Dimitri Sawa |
Don Michael Randel. The New Harvard Dictionary of Music |
165-176 |
| | Record Review: Phono-Cassette Review | |
|---|
| Terry E. Miller |
Amy Catlin. Virgins, Orphans, Widows, & Bards: Songs of Hmong Women |
177-179 |
