| | Articles | |
|---|
| T. Viswanathan and S. Subramanian |
In Memory of Jon Borthwick Higgins |
1-6 |
| Karaikudi S. Subramanian |
An Introduction to the Vina |
7-82 |
| Endo Suanda |
Cirebonese Topeng and Wayang of the Present Day |
84-120 |
| Patricia Matusky |
An Introduction to the Major Instruments and Forms of Traditional Malay Music |
121-182 |
| | Book Reviews | |
|---|
| D. R. Widdess |
Najma Parveen Ahmad. Hindustani Music: A Study of Its Development in Seventeenth and Eighteenth Centuries |
183-185 |
| Roger Vetter |
Judith Becker and Alan Feinstein. Karawitan: Source Readings in Javanese Gamelan and Vocal Music, Vol. 1 |
186-189 |
| Bell Yung |
Fredric Lieberman. A Chinese Zither Tutor: The Mei-an Ch'in-p'u |
190-194 |
| Nora Yeh |
Lu Cui-kuan. Ouanzhou Xuanguan (Nanguan) Yenjiu |
195-197 |
| | Record Reviews | |
|---|
| Ralph Samuelson |
Andreas Fuyu Gutzwiller. Der Wahre Geist der Leere ("The True Spirit of Emptiness") |
198-200 |
| Gordon R. Thompson |
Pandit Sharda Sahai. The Art of the Benares Baj |
201-202 |
| | Addendum | |
|---|
|
Errata: Structural Segments in the Islamic Arts: The Musical "Translation" of a Characteristic of the Literary and Visual Arts |
203 |
