|
In Memory of Konrad Bekker |
1-3 |
| | Articles | |
|---|
| Ali Jihad Racy |
Music in Contemporary Cairo: A Comparative Overview |
4-26 |
| Endo Suanda |
The Social Context of Cirebonese Performing Artists |
27-42 |
| Ed Herbst |
Intrinsic Aesthetics in Balinese Artistic and Spiritual Practice |
43-52 |
| Sooi-Beng Tan |
The Glove Puppet Theater (Po Te Hi) in Malaysia |
53-72 |
| Monni Adams |
Instruments and Songs of Sumba, Indonesia: A Preliminary Survey |
73-83 |
| Carol S. Reck with David Reck |
Nāga-Kālam: A Musical Trance Ceremonial of Kerala (India) |
85-96 |
| F. M. Karomatov and I. Radjaboy (trans. Theodore Levin) |
Introduction to the Šašmaqam |
97-118 |
| Lee Hye-Ku |
Quintuple Meter in Korean Instrumental Music |
119-129 |
| | Book Reviews | |
|---|
| William P. Malm |
Samuel L. Leiter. Kabuki Encyclopedia: An English Language Adaption of Kabuki Jiten |
130-132 |
| Elise B. Barnett |
Paul Collaer. Musikgeschichte in Bildern, Südost Asien |
133-134 |
| T. Viswanathan |
Bonnie Wade. Music in India: The Classical Traditions |
135-140 |
| Gen'ichi Tsuge |
Schéhérazade Qassim Hassan. Les Instuments de musique en Irak et leur rôle dans la société traditionnelle |
141-142 |
| | Addendum | |
|---|
| Gen'ichi Tsuge |
Letter to the Editor: An Article Clarification |
143 |
| Ingrid Fritsch |
Report on the Third German-Japanese Symposium on Traditional Japanese Music in Cologne (1981) |
144-146 |
