| | Articles | |
|---|
| Han Kuo-Huang |
The Modern Chinese Orchestra |
1-40 |
| Judith Gray |
Additional Comments Regarding Chinese Orchestras in the United States |
41-43 |
| Amnon Shiloah |
An Early Arabic Songbook for Schools |
44-48 |
| R. Anderson Sutton |
Concept and Treatment in Javanese Gamelan Music, with Reference to the Gambang |
59-79 |
| Israel J. Ross |
Ritual and Music in South India: Syrian Christian Liturgical Music in Kerala |
80-98 |
| Joan DeJean |
Fictive Performances: Oriental Music in Alexandre Dumas' The Count of Monte Cristo |
99-105 |
| | Book Reviews | |
|---|
| Lindy Li Mark |
Fredric Lieberman. Chinese Music: An Annotated Bibliography |
106-108 |
| Fred Lieberman |
Walter Kaufman. Musical References in the Chinese Classics |
109-110 |
| T. Viswanathan |
Walter Kaufman. The Ragas of South India: A Catalogue of Scalar Material |
111-114 |
| Ja Fran Jones |
At-Turāth al-mūsīqī at-Tūnisī: Patrimoine Musical Tunisien |
115-117 |
| Ja Fran Jones |
Salah el-Mahdi. La Musique Arabe |
117-120 |
| | Record Reviews | |
|---|
| Daniel M. Neuman |
David Lewiston. Master of the Sārangī, a Recording of Pandit Ram Narayan (Sarangi) with Suresh Talwalkar (Tabla) |
124-139 |
| Terry E. Miller and J. Chonpairot |
Review Essay: The Problems of Lao Discography |
124-139 |
| Mark Slobin |
Recent Ethnomusicological Sound Recordings from Israel |
140-143 |
| | Film Reviews | |
|---|
| Elise Barnett |
Johanna Spector. About the Jews of India: Cochin and About the Jews of India: The Shanwar Telis or Bene Israel |
144-147 |
