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Asian Music
Journal of the Society for Asian Music
| | Kulintang/Kolintang Music | |
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| Jason Gibbs |
Spoken Theater, La Scène Tonkinoise, and the First Modern Vietnamese Songs |
1-33 |
| Lee Tong Soon |
Professional Chinese Opera Troupes and Street Opera Performance in Singapore |
35-70 |
| Edward O. Henry |
Folk Song Genres and Their Melodies in India: Music Use and Genre Process |
71-106 |
| Tan Sooi Beng |
The Huayue Tuan (Chinese Orchestra) in Malaysia: Adapting to Survive |
107-128 |
| Zvika Serper |
Kotoba ("Sung" Speech) in Japanese Nō Theater: Gender Distinctions in Structure and Performance |
129-166 |
| | Reviews | |
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| | Book Reviews | |
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| Irene Markoff |
Stawomira Zeranska-Kominek and Arnold Lebeuf. The Tale of Crazy Harman: The Musician and the Concept of Music in the Türkmen Epic Tale, Harman Däli |
167-169 |
| Irene Markoff |
Walter Feldman. Music of the Ottoman Court: Makam, Composition and the Early Ottoman Instrumental Repertoire |
169-173 |
| | Audio Recording Reviews | |
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| Susan M. Asai |
World Music Network and Paul Fisher. The Music of Japan: The Rough Guide |
173-177 |
| Linda Burman-Hall |
I Madé Lasmawan, Jill Fredericksen, Mark Fuller, and Tunas Mekar. Gamelan Tunas Mekar: Music of Bali, Indonesia |
177-180 |
| David Henderson |
Gyanu Radha Gorkhali, Parshuram Bhandari, Achyut Ram Bhandari, Prakash Chandra Pathak, Music Nepal (P.) Ltd. Shringara Group: Nepali Traditional Folk Tunes
Prem Rana Autari, Bijaya Vaidya, Surendra Shrestha, Sur Sudha, Guy Gray. Sur Sudha: Festivals of Nepal |
180-183 |
| Michael Tenzer |
Mickey Hart. Living Art, Sounding Spirit: The Bali Sessions |
183-195 |
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