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Errata for Volume 25: The God-Praising Drums of Sarajevo |
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Errata for Volume 25: Fred Wei-han Ho: Case Study of a Chinese-American Creative Musician |
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| | Articles | |
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| Scott L. Marcus and Dwight F. Reynolds |
[Introduction]: Musical Narrative Traditions of Asia |
1-7 |
| Francesca Rebollo-Sborgi |
The Musicality of Oral Performance: The Case of Tiānjīn Shídiaò and the Musical Expression of Urban Identity |
9-51 |
| Dwight F. Reynolds |
Musical Dimensions of an Arabic Oral Epic Tradition |
53-94 |
| Scott L. Marcus |
Parody-Generated Texts: The Process of Composition in Biraha |
95-147 |
| Hugh de Ferranti |
Relations between Music and Text in Higo Biwa: The Nagashi Pattern as a Text-Music System |
149-174 |
| Andrew N. Weintraub |
Tune, Text, and the Function of Lagu in Pantun Sunda, a Sundanese Oral Narrative Tradition |
175-211 |
| | Short Communication | |
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| Judit Frigyesi |
Free Rhythm? |
212-214 |
| | Book Reviews | |
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| Tim Brace |
Andrew F. Jones. Like a Knife: Ideology and Genre in Contemporary Chinese Popular Music |
215-221 |
| George Ruckert |
Robert S. Gottlieb. Solo Tabla Drumming of North India |
221-225 |
| | Recording Reviews | |
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| Cynthia Po-man Wong |
Gu Guanren. Music of China: Classical, Folk, and Ancient Music |
225-227 |
| Feza Tansuǧ |
Ursula Reinhard, Völker Reinhard. Song Creators in Eastern Turkey |
227-230 |
