| Articles | |
Bruno Nettl |
A Tale of Two Cities |
1-10 |
Jean During |
La Musique Traditionnelle Iranienne en 1983 |
11-31 |
Terry E. Miller |
Reconstructing Siamese Musical History from Historical Sources: 1548-1932 |
32-42 |
Sumarsam |
Gendhing Kalunta: A Historical Metaphor? |
43-57 |
Artur Simon |
Functional Changes in Batak Traditional Music and its Role in Modern Indonesian Society |
58-66 |
Kin-Woon Tong |
Shang Musical Instruments: Part Three |
67-143 |
|
Chapter Seven: Stringed Instruments and Other Wooden Instruments
Chapter Eight: Performance and the Performers
Chapter Nine: Conclusion
Errata to Part One and Two
|
68 83 132 142 |
| Reviews | |
Regula Burckhardt Qureshi |
Review Essay: Daniel M. Neuman. The Life of Music in Northern India |
144-151 |
| Book Reviews | |
Daniel M. Neuman |
Neil Sorrell and Ram Narayan. Indian Music in Performance |
152-154 |
Gordon Thompson |
Hiromi Lorraine Sakata. Music in the Mind: The Concepts of Music and Musician in Afghanistan |
155-158 |
| Record Reviews | |
Terry E. Miller |
Clifford Sloane. Khamvong Insixiengmai: Thinking about the Old Village, Traditional Lao Music |
159-161 |
Esther Warkov |
Ali Jihad Racy, Simon Shaheen, Philip D. Schuyler. Taqāsīm--The Art of Improvisation in Arabic Music |
162-163 |