| Ricardo D. Trimillos |
From the Editor |
1-3 |
| | Articles | |
|---|
| Oyuna Weina |
"You Can't Sing Urtyn Duu If You Don't Know How to Ride a Horse": Urtyn Duu in Alshaa, Inner Mongolia |
4-33 |
| Jonathan Roberts |
Bringing the Music Out, Bringing the Listener In: The Gérong in Javanese Gamelan |
34-70 |
| Benjamin Fairfield |
Ethnic and Village Unity: Symbolized or Enacted? Lahu Music-Dance and Ethnic Participation in Ban Musoe, Thailand |
71-105 |
| Jasmine Hornabrook |
Songs of the Saints: Song Paths and Pilgrimage in London's Tamil Hindu Diaspora |
106-150 |
| Terence Lancashire |
A Response—Gagaku in Place and Practice: A Philosophical Inquiry into the Place of Japanese Imperial Court Music in Contemporary Culture |
151-157 |
| | Reviews | |
|---|
| | Book Reviews | |
|---|
| Philip Yampolsky |
Sumarsam. Javanese Gamelan and the West |
158-162 |
| Wim van der Meer |
Bob van der Linden. Music and Empire in Britain and India: Identity, Internationalism, and Cross-Cultural Communication |
163-165 |
| Inna Naroditskaya |
Evan Rapport. Greeted with Smiles: Bukharian Jewish Music and Musicians in New York |
166-168 |
| Megan E. Hill |
Sumi Gunji and Henry Johnson. A Dictionary of Traditional Japanese Musical Instruments: From Pre-history to the Edo Period |
169-171 |
| Jennifer Milioto Matsue |
Tōru Mitsui ed. Made in Japan: Studies in Popular Music |
171-175 |
| | Addendum | |
|---|
|
About the Contributors |
176-178 |
