| | Articles | |
|---|
| Jonathan McIntosh |
Dancing to a Disco Beat? Children, Teenagers, and the Localizing of Popular Music in Bali |
1-35 |
| David Novak |
Playing Off Site: The Untranslation of Onkyô |
36-59 |
| V.N. Muthukumar |
Beyond Tālaprastāra in Indian Music: Prosody as a Generating Function of Rhythmic Complexity in Aruṇakirinātar's Tiruppukaḻ |
60-88 |
| Christina Sunardi |
Making Sense and Senses of Locale through Perceptions of Music and Dance in Malang, East Java |
89-126 |
| Yuhwen Wang |
Expressiveness in the Premodern Performance Style of Chinese Music: "Equanimity" in Abing |
127-165 |
| | Reviews | |
|---|
| | Book Reviews | |
|---|
| Hwee-San Tan |
Stephen Jones. Plucking the Winds: Lives of Village Musicians in Old and New China |
166-168 |
| Sangita Gopal, Sujata Moorti |
Gregory Booth. Global Bollywood: Travels of Hindi Song and Dance |
168-169 |
| Jesse A. Johnston |
Mitchell Clark. Sounds of the Silk Road: Musical Instruments of Asia |
169-172 |
| | Audio Recording Reviews | |
|---|
| Sumarsam |
Marc Benamou. Gamelan de Solo—Le jeu des Sentiments (A Garland of Moods) |
173-175 |
| Alison Arnold |
DJ Ritu, World Music Network. The Rough Guide to Bollywood Gold |
175-178 |
| Virginia Danielson |
Amira Mitchell. Women of Egypt 1924–1931: Pioneers of Stardom and Fame |
179-181 |
| Rolf Groesbeck |
Lalgudi G. Jayaraman: Singing Violins; U. Srinivas: Mandolin Melodies |
181-183 |
| | Video Recording Reviews | |
|---|
| Edward O. Henry |
Yousef Saeed. Khayal Darpan: An Indian Filmmaker Journeys through Classical Music in Pakistan |
184-185 |
