| Ricardo D. Trimillos |
From the Editor |
1-2 |
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Articles |
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| Lisa Burnett |
Let Morning Shine over Pyongyang: The Future-oriented Nationalism of North Korea's Arirang Mass Games |
3-32 |
| Terence Lancashire |
What's in a Word? Classifications and Conundrums in Japanese Folk Performing Arts |
33-70 |
| John Napier |
Tonight You Will Hear the Wedding of God: Heteroglossia and Polythematicism in the Performance of a Rājasthani Kathā |
71-112 |
| Jeffrey W. Cupchik |
The Tibetan gCod Damaru—A Reprise: Symbolism, Function, and Difference in a Tibetan Adept's Interpretive Community |
113-139 |
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Book
Reviews |
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| Rachel Tollett |
Andrew Weintraub and Bell Yung. Music and Cultural Rights (University of Illinois Press) |
140-143 |
| Stéphanie Khoury |
Denise Heywood. Cambodian Dance: Celebration of the Gods (River Books) |
144-146 |
| Theodore S. Gonsalves |
Christi-Anne Castro. Musical Renderings of the Philippine Nation (Oxford University Press) |
146-151 |
| Raul C. Navarro |
D. R. M. Irving. Colonial Counterpoint: Music in Early Modern Manila (Oxford University Press) |
151-154 |
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Recording Reviews |
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| Deborah Wong |
Yoshitaka Terada (director). Angry Drummers: A Taiko Group from Naniwa, Osaka, Japan (National Museum of Ethnology, Osaka) |
155-158 |
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About
the Contributors |
159-160 |
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Asian
Music |
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Winter/Spring
2013