| |
Articles |
|
| R. Anderson Sutton |
What's that Sound? Korean Fusion Music and the Ascendancy of the Haegŭm |
1-27 |
| Michael Frishkopf |
Nationalism, Nationalization, and the Egyptian Music Industry: Muhammad Fawzy, Misrphon, and Sawt al-Qahira (SonoCairo) |
28-58 |
| Jan Mrázek |
Xylophones in Thailand and Java: A Comparative Phenomenology of Musical Instruments |
59-107 |
| Yoshitaka Terada |
Temple Music Traditions in Hindu South India: Periya Mēlam and Its Performance Practice |
108-151 |
| János Kárpáti |
Typology of Musical Structures in Japanese Shitô Ritual Kagura |
152-166 |
| Heather MacLachlan |
Innovation in the Guise of Tradition: Music among the Chin Population of Indianopolis, USA |
167185 |
| |
|
|
| |
Book
Reviews |
|
| Amanda Weidman |
Lalita du Perron. Hindi Poetry in a Musical Genre: Thumri Lyrics |
186-188 |
| Scott Marcus |
Rob Simms. The Repertoire of Iraqi Maqam |
188-193 |
| |
|
|
| |
Audio
Recording Reviews |
|
| Jay Keister |
Elizabeth Reian Bennett (shakuhachi). Song of the True Hand |
194-197 |
| Meilu Ho |
Sangeeta Bandyopadhyay and company. Bhakti: The Sound of Soul |
197-199 |
| Sumarsam |
Gamelan de Solo—Le jeu des Sentiments (A Garland of Moods) |
199-201 |
| |
|
|
| |
About
the Contributors |
202-204 |
| |
|
|
| Asian
Music |
Contents |
|
