Journal of the Society for Asian Music
ASIAN MUSIC
  VOLUMES I-XXX
Index
  Part 3: Subjects of Articles O-S
Okinawan music association with Shuri Court music 25/1-2 (Garfias)
in Brazil 14/1 (Olsen)
in Hawaii 15/1 (Sutton)
in Peru 11/2 (Olsen)
omorti 20/1 (Hardgrave & Slavek)
oorni 20/1 (Hardgrave & Slavek)
organum 11/1 (Ross)
"Oriental-sounding" music characteristics of 1/1 (Cage)


pakhavaj (mrdang) 2/2 (Krishnaswami); 20/1 (Hardgrave & Slavek)
Pakistan Hunza people and dance 23/2 (Rubenstein)
Muslim devotional religious music and 24/1 (Qureshi)
panpipes, ancient Chinese 6/1-2 (Hayashi)
pathetan 21/1 (Brinner)
percussion instruments Bali 18/1 (Wolbers)
Burma 16/1 (Garifas)
China, Shang dynasty 14/2 (Tong Kin-Woon); 15/1 (Tong Kin-Woon); 15/2 (Tong Kin-woon)
East Java 18/1 (Wolbers)
India 2/2 (Krishnaswami); 13/2 (Reck); 20/1 (Hardgrave & Slavek)
Malay 16/2 (Matusky)
Sarejevo 25/1-2 (Pennanen)
Siamese 13/2 (Duriyanga)
Uzbek 15/1 (Karamatov)
Persian see also Iranian
Persian classical music 4/1 (Loeb); 12/1 (Nettl); 17/2 (Nettl and Shiloah); 19/1 (Babiracki and Nettl)
pesindhen, vocal style 19/2 (Poedjosoedarmo)
Phillipine folk music Hispanic elements 2/1 (Maceda)
Magindanaon kulintang 27/2 (Cadar) (see kulintang)
Malaysian elements 2/1 (Maceda)
popular music and politics 27/2 (Lockard)
preservation 2/1 (Maceda)
pi nai 13/2 (Duriyanga)
pinak 20/1 (Hardgrave & Slavek)
piphat band 13/2 (Duriyanga)
po te hi 13/1 (Tan Sooi-beng)
Portugal, ethinic identity in Malaysia 27/1 (Sarkissian)
pu 19/2 (Yeh)
pungi 20/1 (Hardgrave & Slavek)
puppetry Afghanistan 6/1-2 (Slobin)
India, Barots of 24/1 (Thompson)
Japan 27/1 (Groemer)
Malaysia 13/1 (Tan Sooi-beng)
Tajik 8/1 (Nurjanov)


qasidah 19/1 (Danielson)
qawwal musicians patronage 18/2 (Qureshi)
qawwali, music 3/2 (Qureshi); 18/2 (Qureshi)
qing 14/2 (Tong Kin-Woon); 15/2 (Tong Kin-woon)
Qoli, Jafar 4/1 (Blum)
Makhdum 4/1 (Blum)
qu (changqu) 19/2 (Yeh)
qupai 19/2 (Thrasher); 19/2 (Yeh); 20/2 (Gao Huoyong); 20/2 (Jones); 20/2 (Thrasher)
Qur’an recitation 19/1 (al Faruqi)


radif 12/1 (Nettl); 17/2 (Nettl and Shiloah); 19/1 (Babiracki and Nettl)
ragas occasions suitable for playing certain 2/1 (Skelton)
use in modern Western music 1/1 (Cage)
Ram Sahay descendants and disciples of 3/2 (Roach)
influence on tabla playing styles 3/2 (Roach)
Ramayana, drama based on the 18/2 (Jones)
rambu 12/2 (Sumarsam)
rangkung 12/2 (Sumarsam)
Rashidiyya 28/2 (Davis)
rebab Afghan 8/1 (Baily)
role in gamelan 11/1 (Sutton)
record industry, in Malaya 28/1 (Tan Sooi Beng)
recording techniques influences on indigenous music 7/2 (Neuman); 14/1 (Garfias)
rhythm, importance in Japanese music of 11/2 (Burnett)
rhythms in Korean music 2/2 (Lee Hye-Ku); 13/1 (Lee Hye-Ku)
ronggeng 18/1 (Chopyak)
rta (Tibetan melodic chant) 10/2 (Ellingson)
rwais 17/1 (Schuyler)
Ryo schools of Japan 25/1-2 (Garfias)


Sadjagrama 6/1-2 (Jairazbhoy)
sahnai 20/1 (Hardgrave & Slavek)
sanjo 12/2 (Provine)
sankh 20/1 (Hardgrave & Slavek)
sarangi 2/2 (Krishnaswami); 20/1 (Hardgrave & Slavek)
Sarajevo, musical instruments and 25/1 (Pennanen)
Sarawak Dayaks music and poetry 21/2 (Rubenstein)
sarinda 20/1 (Hardgrave & Slavek)
sarod 2/2 (Krishnaswami)
satar (setar, settar) 14/1 (Czekanowska); 16/1 (Mackerras)
saz 6/1-2 (Reinhard); 13/2 (Hassan)
serialism, influence of ragas and talas on 1/1 (Chou)
shahnai 2/2 (Krishnaswami)
shakuhachi construction of 1/2 (Berger)
fingering of 1/2 (Berger)
history of 1/2 (Berger); 8/2 (Tsuge)
methods of playing 1/2 (Berger)
notation 1/2 (Berger); 19/2 (Lee)
use in performance 1/2 (Berger)
shamanistic music Mongol 18/1 (Emsheimer)
relation to Tibetan music 5/2 (Ellingson-Waugh)
drums in 5/2 (Ellingson-Waugh)
shamisen 11/2 (Burnett)
Shang oracle bone graphs musical depictions 14/2 (Tong Kin-Woon); 15/1 (Tong Kin-Woon); 15/2 (Tong Kin-Woon)
Shankar, Ravi 16/1 (Reck)
shashmaqam 12/1 (Levin); 13/1 (Karamatov & Radjabov); 14/1 (Zeranska-Kominek et al.)
shauqi 8/1 (Sakata); 17/1 (Sakata)
Shiite drama 13/2 (Benjamin)
Shiite liturgical music 3/2 (Qureshi)
shin-min’yo 22/1 (Hughes)
Shuri Court music 25/1-2 (Garfias)
Siamese see also Thai
Siamese music 13/2 (Duriyanga); 15/2 (Miller)
Siamese musicians names and titles 19/2 (Myers-Moro)
Siberian music culture 4/2 (Aksenov)
si-daw ensemble 16/1 (Garifas)
silampu 20/1 (Hardgrave & Slavek)
simsimiyya association with fishermen 4/1 (Shiloah)
construction and tuning of 4/1 (Shiloah)
playing of 4/1 (Shiloah)
Sinai coastal region, music of the 4/1 (Shiloah)
Singhalese music, influence of Buddhism 25/1-2 (Laade)
single independent tones emphasis in Asian music on 1/1 (Chou)
sitar 2/2 (Krishnaswami); 20/1 (Hardgrave & Slavek)
master players of 7/2 (Silver)
popularization in the West 16/1 (Reck)
sizhu 12/2 (Thrasher); 20/2 (Thrasher)
Solvyns, Francois B. 20/1 (Hardgrave & Slavek)
song and dance combinations in Indian music 1/1 (Schramm)
South Asia see names of nations and ethnic groups in the region
popular music and media culture in 24/1 (Manuel)
South India see also India, Karnatak
South Indian folk music 1/2 (Ries)
Southeast Asia see names of nations and ethnic groups in the region
popular music and politics 27/2 (Lockard)
Soviet policy on preservation of traditional ethnic music 12/1 (Levin)
srepegan 14/1 (Becker); 14/1 (Perlman)
Sri Lanka Buddhism influence on singhalese music 25/1-2 (Laade)
srutis 6/1-2 (Jairazbhoy)
story-telling Chinese 20/2 (Tsao Pen-Yeh)
stringed instruments Afghanistan 6/1-2 (Hoerburger); 8/1 (Baily)
Arabic 3/1 (Grame); 18/1 (Bohlman)
Burma 16/1 (Garifas)
China
  • history 14/2 (Cao Zheng)
  • Shang dynasty 15/2 (Tong Kin-woon)
  • India 2/2 (Krishnaswami); 16/2 (Subramanian); 18/1 (Wrazen); 20/1 (Hardgrave & Slavek)
    Iraq 13/2 (Hassan)
    Malay 16/2 (Matusky)
    Turkey 6/1-2 (Reinhard)
    Ugyur (Uighur) 14/1 (Czekanowska); 16/1 (Mackerras)
    Vietnam 18/1 (Nguyen)
    Sufi liturgical music 3/2 (Qureshi); 18/2 (Qureshi)
    Sufi music and dance, protrayal in paintings 17/1 (Denny)
    sufyana kalam (sufyana musiqi) 10/1 (Pacholczyk); 12/1 (Pacholczyk)
    Sumatra, Batak traditional music and ritual 15/2 (Simon)
    Sumatra, pre-Islamic Mandailing raja society, music of 12/2 (Kartomi)
    Sumba (Indonesia) musical instruments 13/1 (Adams)
    songs 13/1 (Adams)
    Sundanese popular music 21/1 (Williams)
    Sundanese oral traditions 26/1 (Weintraub)
    Surkhandarya-Kashkadarya region, music of 4/1 (Karamatov)
    surmandal 20/1 (Hardgrave & Slavek)
    surnai 20/1 (Hardgrave & Slavek)
    surnay ensemble 10/1 (Pacholczyk)
    Syrian Christians Kerala (India), rituals and music of 11/1 (Ross)
     
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